ESPIONAGE FILMS PROFESSIONAL

were fictional stories about American agents in German-occupied France, and there were a number of films based on the stories of real-life British S.O.E. In the 1940s and early 1950s, there were several films made about the exploits of Allied agents in occupied Europe, which could probably be considered as a subgenre. Moto series, based on the books of John P. Somerset Maugham's Ashenden stories, or the Mr.

ESPIONAGE FILMS PROFESSIONAL

Some, however, dealt with professional spies as in Hitchcock's Secret Agent (1936), based on W. These often involved innocent civilians being caught up in international conspiracies or webs of saboteurs on the home front, as in Saboteur (1942). Additionally, several of Lang's American films, such as Hangmen Also Die, deal with spies during World War II.Īlfred Hitchcock did much to popularize the spy film in the 1930s with his influential thrillers The Man Who Knew Too Much (1934), The 39 Steps (1935), Sabotage (1937) and The Lady Vanishes (1938). Mabuse films from the period also contain elements of spy thrillers, though the central character is a criminal mastermind only interested in espionage for profit. In 1928, Fritz Lang made the film Spies which contained many tropes that became popular in later spy dramas, including secret headquarters, an agent known by a number, and the beautiful foreign agent who comes to love the hero.

These fears produced the British 1914 The German Spy Peril, centered on a plot to blow up the Houses of Parliament, and 1913's O.H.M.S., standing for 'Our Helpless Millions Saved' as well as On His Majesty's Service (and introducing for the first time a strong female character who helps the hero). The spy film genre began in the silent era, with the paranoia of invasion literature and the onset of the Great War. As the Cold War ended, the newest villain became terrorism and more often involved the Middle East. James Bond is the most famous of film spies, but there were also more serious, probing works like le Carré's The Spy Who Came in from the Cold that also emerged from the Cold War. However, there are many that are comedic (mostly action comedy films if they fall under that genre). They may also involve elements of political thrillers. Offering a combination of exciting escapism, technological thrills, and exotic locales, many spy films combine the action and science fiction genres, presenting clearly delineated heroes for audiences to root for and villains for them to hate. From the Nazi espionage thrillers of the 1940s to the James Bond films of the 1960s and to the high-tech blockbusters of today, the spy film has always been popular with audiences worldwide. Spy films show the espionage activities of government agents and their risk of being discovered by their enemies. It is a significant aspect of British cinema, with leading British directors such as Alfred Hitchcock and Carol Reed making notable contributions and many films set in the British Secret Service. Many novels in the spy fiction genre have been adapted as films, including works by John Buchan, le Carré, Ian Fleming (Bond) and Len Deighton.

The spy film, also known as the spy thriller, is a genre of film that deals with the subject of fictional espionage, either in a realistic way (such as the adaptations of John le Carré) or as a basis for fantasy (such as many James Bond films).

Espionage films